Review: Fantastically Great Women Who Changed The World at Theatre Royal Stratford East

Adapted by Chris Bush from a picture book by Kate Pankhurst (who yes, as it turns out, is distantly related to Emmeline), Fantastically Great Women Who Changed The World is an inspirational and educational show for girls and women of all ages. When eleven-year-old Jade (Kudzai Mangombe) gets left behind on a school trip to the museum, she stumbles into the out of bounds “Gallery of Greatness”. There she meets a host of interesting new friends (Jade Kennedy, Renée Lamb, Kirstie Skivington and Christina Modestou, in a variety of roles), among them Amelia Earhart, the first woman to fly solo across the Pacific Ocean; Jane Austen, author of such classics as Pride and Prejudice and Sense and Sensibility; Marie Curie, who won not one but two Nobel prizes in different scientific fields… and many more, all of whom have a word or two of advice for young Jade. She’s been feeling unseen, unheard and unappreciated, and is convinced she’ll never make a difference to anyone – but all that’s about to change.

Photo credit: Pamela Raith

It’s very easy to draw comparisons between this show and the smash hit success that is Six (especially with two alumni – Lamb and Modestou – in the cast). In both shows we get to hear women from history finally speaking their minds through the medium of catchy and, more importantly, sassy pop tunes (music by Miranda Cooper and Jennifer Decilveo, lyrics by Chris Bush and Miranda Cooper). Mary Seacole, Mary Anning, Marie Curie and Agent Fifi (real name Marie Christine Chilver) burst onto stage as a band of superheroes; Amelia Earhart, Sacagawea and Gertrude Ederle have bonded over their love of travel – albeit by different means; and Emmeline Pankhurst has exchanged her traditional long skirts for a sparkly soldier’s uniform.

Male sub-characters are gently mocked through silly voices and comedy moustaches, but ultimately this is a story about women being amazing all by themselves, and not letting anyone – male or female – hold them back. That said, it’s important to note that the show doesn’t try to rewrite history, acknowledging the struggles they each had to go through to achieve their successes, with a poignant contribution from Rosa Parks and Anne Frank bringing that particular message powerfully home.

Photo credit: Pamela Raith

Ultimately, though the show is primarily aimed at a young audience, it’s hard to imagine any woman of any age leaving the theatre not feeling as Jade does: newly inspired, confident and ready to make her mark on the world – even if she hasn’t figured out how yet. And in support of that, the show’s programme contains not just information about the women featured in the show, but stories of others who are making a difference right now, along with inspirational stickers, activities, and interviews with the women who helped create the show. It’s educational, but more importantly it’s hugely enjoyable – and I’ve no doubt it will help to inspire the next generation of fantastically great women.

Fantastically Great Women Who Changed The World is at Theatre Royal Stratford East until 17th July, then continues on tour until 29th August.

Quick Q&A: The Ghost of Chesterton House

Where and when: From the 18th June onwards (Every Thursday, Friday, Saturday) at the Millfield Theatre.

What it’s all about… An unwary lodger grows to regret their choice, when they experience the true horrors that live at Chesterton House. After several successful tours and a positive opening reception at the Millfield Theatre, The Ghost of Chesterton House is relaunching on the 18th June, with a new cast and fresh scares!

Running every Thursday, Friday and Saturday at 7pm, 8pm – and if you’re brave enough – the late showing at 9pm, horror comes to life in this theatrical, immersive seance experience. Scare Tour called it “absolutely terrifying – 5 stars”. Millfield Theatre audience have called this experience: “Amazing, absolutely amazing”, “Creative, immersive, scary – highly recommend”, “Sheer brilliance – will be coming again soon.”

Experience The Ghost of Chesterton House at Millfield Theatre. Tickets are selling fast, do not miss out on your chance to experience this once in a lifetime immersive production. For more information visit http://ghostroom.co.uk

You’ll like it if… You like traditional ghost stories, immersive productions, horror and the supernatural.

You should see it because… The show is ever changing. New scares are added almost weekly. People come back time and time again to see how we’ve taken on their feedback and made the show even scarier. The show only seats 14 people and you are placed in the centre of the action. There is nothing quite like this in the whole of London.

Anything else we should know…: We recommend the show for audiences 16 and up, but anyone under the age of 18 must be accompanied by an adult.

Where to follow:
Twitter: @ghostroomuk
Facebook: @ghostroomuk
Instagram: @ghostroomuk

Book here: https://www.millfieldtheatre.co.uk/whats-on/the-ghost-of-chesterton-house/

Review: Ten Days in a Madhouse at the Jack Studio Theatre

In 1887, investigative reporter Nellie Bly took on an assignment for the New York World. Her mission: to feign insanity and get herself committed to an asylum on Blackwell’s Island, then write an exposé about conditions in the institution. The resulting piece caused a sensation and made Bly famous, but also left her haunted by the women she had left behind – most of whom were just as sane as she herself was, and had been committed to the asylum, many of them permanently, for a variety of spurious reasons.

Photo credit: Davor @The Ocular Creative

Douglas Baker’s highly technical adaptation of Bly’s book makes effective use of immersive sound and video, allowing us to not only hear the story but really live it. All the spoken audio and additional sound effects (Calum Perrin) are delivered through a set of headphones given to each audience member on arrival, thereby allowing for a more immediate experience of what’s happening on stage, and also giving us a sense of the isolation felt by Nellie and the other patients. Baker’s video projections add layers of depth to the spoken narrative, drawing us inside Nellie’s head and allowing us to see what she sees, although as the play goes on, whether what she and we are seeing is real becomes much less clear.

Though the story features many characters, only one is portrayed by an actor on stage – Nellie herself, played brilliantly by Lindsey Huebner. All other characters are present only as voiceovers, projections or, in the case of the other women in the asylum, as balloons. Huebner interacts effortlessly with them all, bringing the cast of characters vividly to life in an assured performance that’s instantly captivating. This is particularly true in the later stages as Nellie – who knows and states repeatedly to both doctors and audience that she’s completely sane – begins to fall apart at the hands of those who are supposed to be making her better. Her impotent rage at the end of the play, when she realises her efforts will likely do nothing to end the plight of the women she’s met, is infectious – especially with the knowledge that even today, nearly 150 years later, women are still struggling to gain autonomy over our own bodies.

Photo credit: Davor @The Ocular Creative

This powerful solo performance, when combined with the production’s immersive elements, makes for an intense 90 minutes that builds relentlessly in urgency, culminating finally in a movement sequence (directed by Matthew Coulton) that perfectly incapsulates Nellie’s helpless distress. Going in, it’s hard to know if the technical aspects of Baker’s production will feel gimmicky, but it quickly becomes evident that there’s no such danger; every part of the play has obviously been well thought through and when put together it all works extremely well. This is an innovative and effective piece of theatre that asks important questions and reveals unsettling truths. Well worth a visit.

Ten Days in a Madhouse is at the Jack Studio Theatre until 2nd July.

Quick Q&A: All Girl Band

Where and when: 13th June, Phoenix Arts Club

What it’s all about… Are you tired of hearing sopranos sing about forbidden love? Yawn. Have you grown weary of altos dying in act two, having been snubbed for said soprano? Yikes! Screw that! Hot Girl Summer’s here, and the cast of All Girl Band is feeling fun, flirty and fabulous. Join us for an evening of celebrating femme fatales, divas, and gals just being pals via musical theatre hits of the last 50 years.

You’ll like it if… You love musical theatre and girl power!

You should see it because… There aren’t enough shows about celebrating female talent and women lifting each other up, so we’re to change that! A night of girls just being girls and us all supporting each other, that’s our kind of feminism!

Where to follow:
Twitter: @catapultldn
Facebook: @catapultldn
Instagram: @catapultldn

Book here: https://phoenixartsclub.com/shows/all-girl-band/

Quick Q&A:  The Poetical Life of Philomena McGuinness

Where and when: Etcetera Theatre, Camden 15th & 16th June

What it’s all about… It’s 1939 and Philomena McGuinness, a reluctant nurse, is on her way from Dublin to London. Newly recruited for the British war effort, she finds herself facing the challenge of a lifetime. But it is not the blood, the bombs, or even the wise-cracking soldiers that make her question her place here. It’s the fact that she is not just a nurse, but a poet too. Can one live a life true to the poetry inside them when they are constantly being defined by their role in the war?

You’ll like it if… you like character-driven one-person shows about heartbreak and self-belief, laced with comedy and action. As the impact of war on everyday life looms heavily once again in our lives, The Poetical Life of Philomena McGuinness is a funny and poignant exploration of our personal response to war, based on the true-stories of Irish nurses during World War Two.

You should see it because… Jasmin Gleeson, an amazing up-and-coming Irish comedian, brings life, emotion and humour to the role of Philomena. Though it is set during wartime, the response Philomena has to the turbulent changes to her selfhood and identity brought about by being thrust into a war, are timeless and relatable even now.

Anything else we should know…: These shows are London previews for our full run at Edinburgh, which you can also get tickets for here – https://tickets.edfringe.com/whats-on/poetical-life-of-philomena-mcguinness In Edinburgh, The Poetical Life of Philomena McGuinness is running from August 5th – 20th (except 14th) at 16.05pm (1hr) at Greenside at Infirmary Street in Mint Studio. Previews run from August 5th – 7th. Media tickets are available for all dates.

Where to follow:
Twitter: @josh_j_king

Book here: https://www.citizenticket.co.uk/events/etcetera-theatre/the-poetical-life-of-philomena-mcguinness/

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