FEMM Theatre is a new company producing fresh and exciting theatre by female artists, whose debut production comes to the Bread and Roses Theatre next month. No One Wants A Pretty Girl is a collection of six contemporary female monologues, written by FEMM Theatre’s founder Francesca Mepham.

“It was such a spontaneous decision; I knew I wanted to produce my new play and thought it was time I created my own theatre company,” explains Fran. “The initials of my full name happen to be FEMM, so it was fate that I wanted the theatre company to be one that supports and promotes female creatives. This isn’t to say we are not supporting male creatives, quite the opposite; we want to promote equality and diversity in the arts. I want to support other females, as in this industry that is so important – females showing solidarity to fellow females. You can never have too much kindness!”

Although she’s new to running a theatre company, the multitalented Fran is certainly no stranger to working in the arts: “Well my career’s definitely been varied, which I absolutely love. It’s involved performing, writing, reviewing and PRing! Performing began when I was very young; I was a member of Beck Youth Theatre, who were so supportive of what I wanted to do, which was to simply be creative. I graduated with a BMus Hons degree and I’ve been very fortunate and performed as an events/session vocalist ever since.

“I’ve always written, but it wasn’t until I started reviewing theatre productions a couple of years ago, that I realised I wanted to explore theatre writing and acting again. You could say I just dived straight in and went for it, producing my own plays and now I have my own theatre company! Also, I have a blog called Frantastic View, that aims to inspire other creatives and give an honest look at life in the arts. And I’m Press Manager for Orzu Arts, Britain’s first Central Asian Theatre Company, so I’m always immersing myself in the arts industry somehow!”

Unsurprisingly in such a long and varied career, there have been a lot of highlights. “I’ve been fortunate to have some wonderful creatives want to work with me as a writer and a performer,” says Fran. “Performing at Edinburgh is a real highlight, and I’ve recently been chosen for a night of female playwrights produced by Instinct Theatre at The Bread and Roses Theatre. The support for FEMM Theatre has been a huge highlight of 2017. I’ve also recently written for NewsRevue which has been a lot of fun. In the last few weeks I’ve signed to Helen McWilliams Management Agency which has been wonderful, to have that faith in me as an artist.”

No One Wants A Pretty Girl – written by Fran and directed by Laura Clifford – will be performed in its entirety for the first time at the Bread and Roses in Clapham on 16th October. “It’s a collection of six monologues – Should, Jade Jacket and Trousers, Side B*tch, My Daddy Is Mexican, No Shame and Saturday Night – each performed by one of the six-strong female cast,” says Fran. “Each monologue explores the theme of having a secret behind the smile, an inner sadness which we can all identify. There are themes of heartbreak, loneliness, prejudice, to name just a few; there is no sugar coating, just a rawness from each character. This is life and even in sadness there is beauty.

“I wrote Should for Theatrefullstop in late 2015 at 2am for their Monologue Monday, which they were filming for their blog, and I continued writing monologues for the collection – initially three, those being Jade Jacket and Trousers and Side B*tch which they recorded for their podcast late last year, with actress Charlotte Hunt. It was actually Charlotte who said how much her friends she worked with at a call centre, who were also actresses, had enjoyed reading the monologues, as there aren’t that many contemporary monologues for women in their 20s-30s that are relatable out there.

“Then in March of this year, Should was performed at Instinct Theatre’s Scratch The Surface at The Hen and Chickens Theatre, directed by Laura Clifford and performed by Tayo Elesin. I realised that from its warm reaction, I had to write more and make the monologue collection into a full length show, with Laura’s amazing direction. Big thanks to Theatrefullstop and Instinct Theatre, two female-led theatre tour de forces, who have been so supportive of No One Wants A Pretty Girl.”

One of Fran’s primary goals with FEMM Theatre is to promote diversity of all kinds in theatre and the arts. “It’s so important as diversity equals equality; theatre needs to give all creatives equal opportunities,” she says. “Glass ceilings need to be shattered and the industry needs to be aware of theatre makers that need that extra encouragement and support. We all need to support each other in theatre. With FEMM, we put our ethos in to action and cast BAME actors as a priority. That’s what needs to be done – a little less conversation and more positive action in the arts. We also want to address the problem of ageism, especially towards actresses in theatre.”

And finally, to anyone – particularly women – thinking about getting into playwriting, Fran has a few words of advice: “Do it! Literally go for it, be bold, be brave and just be yourself.”

Book now for No One Wants A Pretty Girl at the Bread and Roses on 16th October.