The third Scratch the Surface event from Instinct Theatre produced a collection of five very different pieces, with one thing in common: they were all created by women. Covering a range of themes from mental illness to manspreading, the evening brought together an enjoyable and innovative showcase of new writing talent.
Written and performed by Amelia Sweetland, Sharp Edges (directed by Nathan Theys) got the ball rolling with a portrayal of anxiety that’s all too recognisable. Sophie’s having a party, even though she doesn’t really want to – but she’s invited her boss and can’t back down now, despite being almost paralysed by anxiety. And the only person she can talk to about it all… is herself. Gentle humour and extreme Britishness collide with the desperate poignancy of a young woman who knows her irrational fears and lifelong need for perfection are holding her back, but is powerless to get past them.
The second piece, #iAmResilient by Lucrezia Pollice, was easily the most ambitious, combining theatre with audiovisual content to paint a picture of millennial life. Using a screen to show us text, Tinder and Facebook conversations is an inspired touch, given that most of us probably have more interactions on screen than in person these days. That said, future performances could definitely benefit from a bigger screen, to allow everyone to see what’s happening. The piece covers several themes but its main focus falls on Maria, and an honest exploration of the impact of her mental health issues on her relationship with her housemates. #iAmResilient has some interesting ideas, but definitely feels like a snippet of a longer piece, so it will be interesting to see how it develops from here.
Maternity by Stephanie Silver is a comedy, but even this very funny piece has a sting in the tail. Laura’s about to leave work to have a baby, but is anxious that she won’t make a good mum. Even so, her well-intentioned friend Kate is determined to give her a good send-off, whether she wants one or not. In a clever twist, the play sets up the two characters then, without warning, turns our opinions of them on their head. We’re still laughing, but now it’s tinged with a hint of sadness on one hand, and shock on the other. Even so, Laura’s honesty about her fears – however exaggerated in this case – is actually quite refreshing in a world that constantly sells the idea all women are natural mothers.
Saturday Night (directed by Laura Clifford), one of six monologues from Francesca Mepham’s collection No One Wants a Pretty Girl, finds Amber sitting alone at home watching Doctor Who. She’s just split up from her boyfriend (again) and can’t seem to connect with her friends, who just want to go out every weekend rather than catch up with her. A short but heartfelt monologue about loneliness and not quite fitting in, this is a piece of writing that reaches out to anyone who’s ever found themselves in Amber’s shoes – getting pulled back into an unhealthy relationship just for the sake of feeling loved.
And finally, the evening ended on a raucous note with Manspreading by Laura Hall (directed by Niamh Handley-Vaughan), in which the drunken conversation of three young women on a night out turns to the antisocial habit that is manspreading. More specifically, they’re outraged by the fact that it should be the exclusive domain of men – like Yorkie bars all over again, as one of them points out. It’s all very lighthearted and over-the-top, but the play does raise some interesting discussion points about gender roles and differing social interpretations of male and female body language, which seem particularly relevant in light of recent media events.
It’s always interesting to see new writing at such an early stage in its development, and on this occasion particularly exciting to see it all coming from female playwrights. Once again, Instinct Theatre have put together an evening that provided its audience with plenty of food for thought, but also five talented writers to keep our eye on in the future.
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