The two years since Rotterdam‘s critically acclaimed debut run at Theatre 503 have been eventful, to say the least. Jon Brittain’s bittersweet comedy about gender and sexuality, directed by Donnacadh O’Briain, not only transferred to Trafalgar Studios and enjoyed a sell-out run in New York; it also won the 2017 Olivier Award for Outstanding Achievement in an Affiliate Theatre. And this month the fairy tale continues with a further London transfer, this time to the Arts Theatre, where the play will run from 21st June to 15th July.

“Rotterdam is a warm, hilarious, appalling and devastating firecracker of a story, with a simple human love story at its heart,” explains Alice McCarthy, an original cast member returning once again to the role of Alice – who’s about to finally come out as a lesbian when her girlfriend announces she wants to start living as a man. As Fiona begins the transition to life as Adrian, Alice is left wondering if this means she’s now straight…

Alice is joined by Anna Martine Freeman and Ed Eales-White, who also reprise their roles in the play, along with newcomer Ellie Morris, taking over from Jessica Clark as Alice’s free-spirited colleague Lelani. “It’s very exciting, of course, to be able to sit with a character for two years,” says Alice. “Relationships change and deepen, and I am discovering new sides to Alice all the time. Reuniting with the team is always fantastic and means that these long relationships between our characters now make more sense, as we do actually know each other better! Also, Lelani is now played by the lovely Ellie Morris, which has meant new colours and an exciting opportunity to look at all those scenes in a fresh light.”

Jon Brittain wrote Rotterdam after a couple of his friends transitioned in the late 2000s, and he decided to address the absence of transgender stories in pop culture. Despite this, Alice believes what makes the play interesting is that it avoids didacticism: “It in no way seeks to comment on the whole trans-experience but simply tells the story of a group of specific individuals dealing with a unique set of problems. It’s certainly a queer love story, which is of course important, but it is still essentially just a love story. In this way it’s accessible to all and invites the audience to view Alice and Adrian as no different from themselves. I hope that audiences will leave moved, laughed out and feeling like they have got to know four individuals intimately. The best responses are also when we change people a bit!”

And what does she feel is the secret to the play’s success? “I think it’s because Jon has written such specifically human and well-rounded people. There’s an element of the play that allows the audience to become voyeurs, and so they leave feeling close to the characters and wanting to know what happens to them next. A few audience members have come straight up to me and said, ‘What happens to Alice?! We want to know- make a series!'”

Alice and the team are just back from their sell-out run at 59E59 Theaters in New York as part of the Brits Off-Broadway Festival, where the play’s reception was different but no less enthusiastic. “I think New York audiences are certainly more earnest,” says Alice. “There is an element of taking everything seriously. I think maybe UK audiences are more comfortable with a mix of irreverence and comedy in the tragic, whereas our U.S. audiences have seemed to enjoy the drama side of Rotterdam more. It’s certainly been fascinating to see how plays are so changeable dependent on the temperature of the audience and their expectations. We are lucky though, as our audience’s responses have been just as warm and ecstatic as back home.”

It’s not just audiences who can learn something from this play; Alice has also benefited personally from being a part of the Rotterdam story. “I’ve gained so, so much,” she reveals. “It’s my first lead role after drama school and so on a professional level it’s been my training ground and a huge learning curve. Also, it’s been such a privilege to learn about trans-issues, and for me more specifically, about the partners of transitioning people. I now feel equipped to enter the world as a well-informed trans-ally!”

Book now for Rotterdam at the Arts Theatre from 21st June-15th July.