Review: Gangsta Granny at the Orchard Theatre

Guest review by Debika and Raphael Cutts

To any parent, the much-loved and critically acclaimed Gangsta Granny by actor, presenter, comedian and author David Walliams needs no introduction. Released in 2011, it immediately went to no. 1 in the children’s book chart, and this touring show, produced by the brilliant Birmingham Production Company – of Horrible Histories fame – is a very welcome addition to the selection of family shows offered at The Orchard Theatre, Dartford. It is the production’s second visit here.

11-year-old Ben, played by the wonderful Tom Cawte, is neglected by his parents while they pursue their love of Ballroom Dancing, and just dreams of becoming a plumber – something his parents don’t understand or have time for.  Meanwhile his lonely old granny, played exactly as I imagined by Louise Bailey, seems to Ben to be boring, smelly and full of farts after eating nothing but cabbage – cabbage soup, cabbage cake, cabbage stew and even cabbage ice cream! But as it turns out she has a big secret – she is a gangsta, or should I say “gransta”. As two outsiders who have both been abandoned, Ben and his gran form a partnership, joining forces on a great heist that leads them to stealing the Crown Jewels from the Tower of London and even meeting the (yes, farting) queen.

I was lucky enough to be reviewing this with my 7-year-old son, who giggled away beside me throughout the entire fun-packed production. Always a good sign when they think it is as good as the book. His review – 9 ½ out of 10 because “it has all the best bits” and “the characters are exactly as I had imagined in my head”. (It would have been 10 but the dancers moving the stage scenery as part of the show wasn’t for him.) Behind me was a grandfather laughing even more loudly. This is a show that appeals to both the young and old.

And what makes this production so appealing to all ages? The bond formed between the old and young, due to Ben’s neglect and Granny’s loneliness because of her age, strikes a chord in the audience. And the message about not ignoring the elderly is a strong one. My son, in the interval, voluntary said of his grandparents, “yes, I want to hear about their adventures, I don’t know why I haven’t before”. I have no doubt that his next conversation with them will be a richer one thanks to this viewing. It is a reminder to us all.

The show is at times full of hilarity, with its toilet humour (who doesn’t like a good fart joke?) and peppered with Strictly Come Dancing parodies that fans of the show definitely enjoyed. Much fun was had by kids and grownups alike whilst judging the Strictly competition – loud boos and cheers resounded in the theatre. The show makes a joke out of our obsession with celebrity culture as it follows Ben’s mum’s adoration of the ageing dancing sensation Flavio.

There were a few local references – “I love you more than Gravy’s End” aka Gravesend – was appreciated by the local audience. Other parts of the show were deeply touching; quotes such as “I am proud whatever you do”, “Follow your dreams”, “I am useless” and the heartfelt “I love you Granny” pulled on some heartstrings.

The entire cast are superb with a host of excellent performances, but the part I had been especially looking forward to is that of 16-year-old local dancer from Bexleyheath, Millie Minkowich. I had read in the local press that there had been a search for a local female dancer to play the part of a Strictly contestant and Millie was the talented winner. She was excellent and showcased her talent admirably. I have realised that this production often does this throughout their tour – what a nice support of the local community!

David Walliams, our much loved TV funnyman, has teamed up with the Birmingham Stage Company to create a fun-packed yet thought-provoking show for all the family, from young to old. Other than enjoying the laughter I think both of us came away thinking we will be kinder to our parents/grandparents, and I have vowed to make more time for my children!

Highly recommend by myself and my 7-year-old son!

Gangsta Granny is at the Orchard Theatre until 26th May.

Review: Tango Moderno at the Orchard Theatre

Guest review by Debika Cutts

They are back! Strictly dance superstars Flavia Cacace and Vincent Simone return to wow audiences with their fourth production – Tango Moderno – and they do not disappoint! Previous sell out shows have included Midnight Tango, Dance till Dawn and The Last Tango; very much an audience favourite, they have danced together for over two decades. The production, with the help of director and choreographer Karen Bruce, cleverly gives a modern twist to a 19th century traditional Argentinian dance. It works superbly well.


Photo credit: Manuel Harlan

The story tells of “Cupids of Tango” – Flavia and Vincent – who encourage the singleton characters in the show to go out and find love. It reflects, in its prose and through the dance, the perils of modern day society who are reliant on mobile phones and social media dating sites such as Tinder, and addresses the issues of commuting, loneliness and even a world which includes Donald Trump.

The scene of the story is set through the medium of a narrator – the talented Tom Parsons – whose prose and poetry is sublime and whose renditions of modern day pop songs excellent. Any performance which includes an Ed Sheeran classic – Shape of You – is bound to excite an audience of any age and persuasion! Other songs not necessarily expected from a tango-inspired show, yet which work well, include popular hits Human by Rag n Bone Man, Seven Years by Lukas Graham and The Lazy Song by Bruno Mars, and are a hit amongst younger viewers.

Vincent and Flavia’s chemistry and professionalism during the duos is an absolute pleasure to watch. Vincent had not been able to perform in last year’s shows due to an injury but now he returns to top form thankfully, as he does what he does best. Flavia’s performance is particularly breathtaking and the intensity of the kicks and movement is spine tingling with the pair fusing together ballroom, Latin and Argentinian tango.

The pair are supported by a talented cast of dancers who mix street, hip hop, jive and contemporary to produce an energetic and entertaining story for the audience. If you are expecting to just see tango then this isn’t the show for you – you get so so much more. This is a show that showcases the talents of the written word through Tom Parsons, the incredible voice of Rebecca Lisewski who truly is a highlight of the show, the talent of accomplished violinist Oliver Lewis whose performance of the Flight of the Bumblebee drew gasps of surprise and received lengthy applause, many different genres of dance and of course the reason for this show – Flavia and Vincent.

Photo credit: Manuel Harlan

There are a couple of moments in the show that some may class as cheesy perhaps – the dancers coming out in wheelbarrows, shopping trollies and lawnmowers as an example – but the enthusiasm and talent make up for this and the point of their reflections are well understood and appreciated by the audience. I’m not sure it’s purely a show on tango – perhaps naming the performance Cupid’s Dance Moderno would be more apt?

Saying that, the classical tango finale is definitely purely tango in its truest form and worth the anticipation. A haunting and mesmerising dance showcasing our main stars’ phenomenal talent. The lighting is just right, the music is just right and the dancing and chemistry as they perform the classical tango has the audience up on their feet.

A wonderful show and great performances by a strong cast. Highly recommended.

Tango Moderno is at the Orchard Theatre until 24th March.

Review: Crazy For You at the Orchard Theatre

George and Ira Gershwin’s 1930 musical Crazy For You has everything: singing, dancing, slapstick comedy, romance, mistaken identities… and – as if all that weren’t enough – former Strictly winner, and now well established stage star, Tom Chambers as main character Bobby Child.

Photo Credit: The Other Richard

Bobby wants to be on the stage, but his wealthy mother’s bullied him into working at the family bank instead, and demands he go to Deadrock, Nevada, to foreclose on an old theatre. Thrilled to get away from Irene, the fiancée he acquired five years ago seemingly by accident, Bobby arrives in Deadrock and falls immediately in love with Polly – whose dad, unfortunately, happens to be the owner of the theatre. Desperate to save the theatre and win Polly’s love, Bobby comes up with a half-baked plan to pretend he’s theatre impresario Bela Zangler, and chaos, predictably enough, ensues.

Tom Chambers lives up to his leading man credentials from the moment the curtain rises, tapping and twinkling his way through the first couple of New York-set numbers. Then the action moves to Deadrock, and any concerns that this might just be the Tom Chambers show are put quickly to rest as an exceptional company of actor-musicians step into the spotlight. Claire Sweeney is great as the bitchy Irene, who (naturally) follows her man across the country and messes with his plan – as does a confused Zangler, in an entertaining comedic turn by Neil Ditt. But biggest shout-out of the night has to go to Seren Sandham-Davis, who stepped confidently into the role of Polly in the unexpected absence of regular star Charlotte Wakefield, and smashed it.

Photo Credit: The Other Richard

The score is largely familiar, with classic tunes like I Got Rhythm, They Can’t Take That Away From Me, Embraceable You and Someone To Watch Over Me. But there are also plenty that were new to me, with highlights including Stiff Upper Lip, an enjoyably silly celebration of all things British led by Eugene and Patricia Fodor (who just happen to stumble into town doing research for their latest travel guide), and the irresistible toe-tapper Slap That Bass. The immaculate choreography from Nathan M. Wright is particularly impressive given that most of the cast are also playing a variety of instruments at the same time.

Full of charisma and glamour, Crazy For You is a perfect evening’s entertainment, full of laughs, romance and catchy tunes. Tom Chambers excels in the spotlight, but even he can’t outshine a ridiculously multi-talented ensemble cast who seem able to do pretty much anything. The story is all very silly, and I still don’t quite understand how it all came together at the end – but when a show is this much fun, who cares if it makes sense?

Crazy For You is at the Orchard Theatre, Dartford, until 27th January then continuing on tour.

Review: Flashdance at the Orchard Theatre

80s kids rejoice – another classic movie from our youth is back on stage. Flashdance, as most of us know, is the heartwarming tale of feisty young welder Alex, who longs to be a dancer, and finally achieves her dream after an iconic audition routine (if you haven’t seen the movie, you’ve probably at least seen that bit). Naturally, she also meets a nice man, and after a few bumps along the way, in the end everything works out fine.

Unsurprisingly, the show is a feast of 80s cheese, with leg warmers and leotards aplenty. And while Robbie Roth’s original songs are enjoyable but not particularly memorable, the score is lifted by several classic hits that guarantee a feel-good finale. The story could use a bit more pace at times, and there’s a side plot involving Alex’s friend that seems to directly contradict the show’s message about believing in your dreams – but let’s face it, how many people are really there for the plot?

Photo credit: Brian Hartley

Where the show does come up trumps is in its performances – particularly from leading lady and reigning Strictly Come Dancing champ, Joanne Clifton. It might have been her brother who did Flashdance on last year’s series, but here she claims it firmly for her own with a show-stealing turn as Alex. We knew she could dance, but now we know she can act and sing too, and – maybe most impressive – apparently do it all without breaking a sweat.

She’s joined by Ben Adams, whose former boy band credentials (he was in A1 back in the day) stand him in good stead as the charming Nick Hurley. While his vocals may not always be quite as strong as his co-stars’, and he obviously has a pretty limited repertoire of dance moves, his acting is good – and he certainly looks the part of Alex’s handsome love interest.

In fact it’s a particularly fit (in every sense) cast all round, with more than enough visual talent to keep the whole audience happy, and some astonishingly acrobatic dance moves that you wish you could pause and watch again in slow motion. Several of the musical numbers serve little purpose in terms of plot development, but give this talented cast a multitude of opportunities to show what they can do.

Photo credit: Brian Hartley

Not altogether surprisingly, there’s a lot more dancing than welding in the show – but a versatile steel set designed by Takis helps to keep the Pittsburgh setting in mind throughout, and strikes a nice contrast against the colour and vivacity of the show.

It might not be highbrow, but Flashdance is certainly high energy – and ultimately wins everyone over with the sheer joy shown by everyone on stage. With some great performances and a heartwarming message about believing in yourself against all odds, the show is a definite crowd pleaser, and its standing ovation well deserved.

Flashdance is at the Orchard Theatre until 14th October.

Review: Little Shop of Horrors (Summer Youth Project) at the Orchard Theatre

For a second year running, the Dartford Summer Youth Project has selected a show that’s new to me. Following last year’s brilliant Bugsy Malone, this summer they’re back with Little Shop of Horrors, the classic horror comedy about a man-eating plant by Howard Ashman and Alan Menken, in a production that brings together a community cast of young Dartfordians aged between 9 and 19. The story follows shop boy Seymour, who finds himself in possession of a “strange and interesting” plant that makes him rich and famous – but at what cost…?

The show might be considered a bit gory for kids (it does, after all, involve an abusive relationship, murder, dismemberment and a psychotic dentist) and it had to be sanitised a little for this production. But the horror is all very tongue-in-cheek, and the jokes are pitched so that a lot of the humour can be appreciated by adults whilst sailing over younger heads. There’s also a valuable lesson for all ages to be taken from this cautionary tale about the dangers of putting personal gain ahead of moral values.

I have two main conclusions from this evening’s opening night performance. First, I’ll be keeping a much closer eye on my plants from now on. Second, director Sean Hollands and the rest of the SYP team have pulled off another triumph. After just two weeks of rehearsal, Little Shop of Horrors is slick, professional and features several young performers who could easily give seasoned stars a serious run for their money.

This is particularly true of the principal leads – Ethan Oswald, Olivia Hallett, Luke Walden and Mikey Stevens – who all look and sound like they’ve been on stage for years. Each of them has at least one big musical number, and absolutely nails it, with my personal highlights Mikey Stevens’ hilariously deranged Dentist! and Olivia Hallett and Ethan Oswald’s gorgeous duet, Suddenly Seymour. There’s also some brilliant voice acting from Thomas Bassett, the voice of Audrey II, who succeeds in giving us the shivers without once appearing on stage, and impressive vocals from the chorus of glamorous Ronettes.

The principals lead a huge company of over 100 children, all of whom get to be involved throughout the show as they pop up frequently in aisles and on balconies performing dance routines choreographed by Mel Simpson. This sometimes messes with the audience’s view of the stage a bit – but it’s hard to mind that too much when the children are obviously having such an amazing time.

And that’s the genius of the Summer Youth Project. Yes, this is a fantastic production that showcases some outstanding young talent, but more importantly it’s giving each and every one of the children on stage an experience they’ll never forget – the chance to be part of a production led by a professional creative team, performing for a huge audience of friends, family and strangers in a proper theatre. But it’s not just a treat for the kids; their enthusiasm and delight is infectious, and you don’t have to be a parent or even know anyone involved to feel proud of what they’ve all achieved, or to appreciate the hard work they’ve put in. This is something that’s easy to take for granted when watching a professional company for whom it’s just another day at work, and sometimes we need a reminder of why we go to the theatre in the first place: to be entertained. And on that score, Little Shop of Horrors more than delivers.

Little Shop of Horrors continues at the Orchard Theatre until Saturday 12th August.