Guest review by Lucrezia Pollice
The wonders of human behaviour will never fail to inspire. Politics, domestics and history are all intertwined. In The Last Ones the Russian playwright Gorky, knowingly admired by Chekov, creates an honest tableau of life, power, conflict, love and devastation.
The play is set in the bloody aftermath of the 1905 revolution but focuses on the struggles of a corrupt tsarist police chief named Ivan Kolomiitsev and his family. After a failed assassination and unjust accusation, the family is left in utter confusion, not knowing who to trust nor what to believe. The father’s gambling, drinking and affairs waste away all their money, and the family is forced to take refuge at wealthy Uncle Yakov’s house.
The play asks us: do we really know each other? How can one come to terms with their father, husband, brother, lover being wrong? Looking into the life of a despised and hated man – we grow affectionate to his family and begin to unpeel the layers and grey areas present in the human body. Conveying these grey areas – evil is not absolute, it is not binary nor concrete.
It is not an easy play; character journeys are very weaved together and are slightly difficult to follow. Ivan, played by Daragh O’Malley and Sonia, played by Louise Gold, have five children: Alexander, Peter, Nadia, Vera, Lyubov. Some of the children follow the father’s footsteps into corruption, greed, alcoholism and gambling, whilst the younger ones are faced with many questions. The latter, Lyubov, is damned for being “crippled” by Ivan, who she discovers in the play is actually not her biological father. This is not news to the family as Ivan’s brother Yakov, played by Tim Woodward, and Sonia’s old love affair is not as secret as they would hope.
Ivan is attempting to bribe his way back into the police force and regain his power. However, power has a price. Peter and Vera begin to learn the truth about their father when a young man, a revolutionary, explains to him the facts. Then the mother of the innocent child incarcerated for Ivan’s assassination comes to the house to speak to Sonia, and things begin to unravel. Conflict increases throughout to finally culminate in a desolate open-ended finale, in which corruption and evil triumph over the rest.
Anthony Biggs’ production is intense and moving at times. The set, designed by Cecilia Trono, is simple, but appropriate to the atmosphere created. The performances fluctuate between moments of truthfulness and other slightly weaker moments, although the show kept my attention throughout and moved me with its passionate honesty. It is a play about people, the human body and mind. We too often forget the importance of focusing on the reasons and objectives behind our actions. The Last Ones brings them to the forefront, putting us face to face with difficult questions. What would you have done in their position?
The Last Ones is at Jermyn Street Theatre until 1st July.