Written by Cally Hayes, co-director of Alright Mate?, Cracking is an eloquent, moving and informative portrayal of what it’s like to live with – and recover from – post-natal illness. What makes this production stand out, however, is that it gives the viewpoint of both mum and dad, with the particular aim of shining a light on the often forgotten subject of male mental health.
Sam (Tom Bowdler) and Rachel (Georgia Robinson) are a young couple with a two-year-old son. It’s been a year since Rachel recovered from the post-natal illness she suffered following Tommy’s birth, but something still isn’t right. Sam doesn’t want to talk about it, but is encouraged through counselling to open up and share some of the fears and anxieties that continue to haunt him – even though, on paper, everything should be “back to normal”.
The couple’s different approaches to talking about their problems is explored very well in the short but powerful play, which combines spoken dialogue with physical movement sequences. Rachel is very open, describing her pain in intensely visceral terms and constantly seeking reassurance from her partner that everything will be okay. Sam, on the other hand, deflects awkward topics of conversation by either joking around or getting angry. He can’t talk to his friends because that would mean admitting something’s wrong – and so he internalises all the pressure and worry, focusing on the day-to-day practicalities of supporting Rachel through her own illness and neglecting his own mental health in the process.
What becomes clear as we’re watching the play is that while post-natal depression in mothers is a defined, diagnosable condition, the impact it has on fathers is much more difficult to label, and as such it often goes unacknowledged. The moment in which Sam finally breaks down and admits he’s struggling is heartbreaking to watch but also feels like a breakthrough, when both he and we begin to realise just how traumatic the experience has been for him.
Tom Bowdler and Georgia Robinson give great performances, portraying very convincingly not just the hurt and bewilderment of the present day – as they each struggle to understand why things haven’t gone back to how they were – but also the joy of their early relationship, and the fear and despair of the months following their baby’s birth. Director Kevin Johnson’s use of movement and space is also important, evoking particularly effectively the isolation both characters feel, even when they’re sitting right next to each other, and their impotence in the face of a crisis they need to identify before they can begin to fight it.
The play is one of a variety of projects organised by Alright Mate?, a community interest company that aims to normalise conversations about male mental health. Much of Cally Hayes’ script is based on verbatim testimony from parents who’ve recovered from post-natal illness, so it’s no surprise that even the most shocking details have a ring of absolute truth to them. Cracking is a sad story, but it’s a story that needs to be told – to parents who may recognise their own experience and seek help, but also to friends and family who need to understand what their loved ones are facing before they can offer support, and to the wider public to promote greater understanding of this complex issue.