Review: Hedgehog at the Lion and Unicorn Theatre

Remember being a teenager, when the most important thing in the world was what other people thought of you? Yep, me too. And so does Manda (Zöe Grain), the protagonist in Alexander Knott’s Hedgehog; she’s living it right now, and it’s not going so well. She’s just lost her job at the local vet – over a hedgehog, of all things – and her parents are in the slow and painful process of splitting up. Her “friends” seem barely to even tolerate let alone like her, and every time she meets a nice guy, she thinks he’s the one… until she finds out he definitely isn’t.

Photo credit: Charles Flint Photography

The problem is that it’s the 90s, she’s a teenager, and nobody’s told her that it’s okay to not be okay. So Manda puts on a smile and gets dressed up for a night out she knows she won’t enjoy, at a club she’s too young to legally be in, where she’ll down shot after shot in a futile attempt to smother her fear, loneliness and insecurity, and – even if just for a moment – to try and make sure that someone actually sees her.

Though Hedgehog is essentially a monologue and has the feel of a one-woman show, Manda is not in fact alone on stage. She’s joined throughout by “Them” (Lucy Annable and Emily Costello), who not only take on the role of all the people in Manda’s life, but also become the little whispering voices in her head that tell her she’s not good enough, not cool enough, not lovable enough. This brings Manda’s turmoil and desperate need for validation out of her head and gives it a physical manifestation that’s perfectly embodied by Lucy Annable and Emily Costello. The two of them are a constant, vibrant and versatile presence on stage, but without ever distracting from Zöe Grain’s brilliant central performance.

What makes the story of Hedgehog so sad, and at the same time such an absorbing 70 minutes of theatre, is that Manda seems great. She’s funny, caring and refreshingly down to earth, she really does look amazing in her pink prom dress, and she does an awesome Spice Girls dance routine. Grain engages fearlessly with the audience from the moment the play begins, and we like her from the off – which is why it’s so hard to watch her chasing the approval of her awful “best friend” Claire, her absent mum or her latest crush, just to make herself feel better.

Photo credit: Charles Flint Photography

Set to a soundtrack that incorporates 90s classics alongside original composition from Sam Heron and James Demaine, Hedgehog is a fast-paced and often unpredictable ride. Timelines get tangled, scenes switch in the blink of an eye, and the audience is not so much carried as dragged along with Manda as she reaches the point that will either break her or give her the fresh start she so desperately needs. The emotional climax of Georgia Richardson’s production is particularly powerful, a poignantly simple and unexpected moment of human connection that anyone who’s ever felt alone or helpless can’t fail to be moved by. Insightful, relatable and beautifully performed, this play is a must-see – and let’s hope, unlike the eponymous hedgehog, it has a long life ahead.

Hedgehog is at the Lion and Unicorn Theatre until 22nd June.

Review: LOOP at Theatre N16

Few things prompt more heated debate than our taste in music (it’s definitely the source of most tension in my office). We all think our own favourites are the best, and anyone who disagrees with us is automatically wrong. Yet our passion for music – any music – can also bring us together like little else, whether it’s casual banter with a stranger at a gig or a huge one-off event like last weekend’s One Love Manchester concert.

BoxLess Theatre’s LOOP takes us through three generations of one family, set to a soundtrack of the music that both unites and divides them. In the 1960s, a young woman leaves behind her home in London and sets off for a new life in Manchester. In the 80s, her teenage daughter comes home from a gig with a new boyfriend in tow – and in 2017, that same couple struggle to find common ground with their own 19-year-old son, who ultimately finds himself returning to his grandmother’s hometown in search of answers.

Though music is the common thread that links all three stories, it doesn’t dominate or overwhelm Alexander Knott’s script, which is very much character-driven. In a fast-moving introductory monologue delivered by Emily Thornton, we experience all the hopes and fears of The Woman as she leaves home for the first time and ventures out into a scary new world. Later, she returns as both mother and grandmother, perfectly capturing not only the physical changes but also the lifelong emotional fragility of a woman whose life hasn’t gone the way she hoped it would. James Demaine closes the show as the Young Man, with an equally powerful story of teenage angst and artistic ambition, but perhaps the most enjoyable – and humorous – scenes are those between the Boy and the Girl, played by Aaron Price and Rubie Ozanne, whose fledgling teenage romance is adorably awkward and very believable.

Completing the show’s finely tuned balance of words and music is the movement, directed by Zöe Grain. Working with a set that consists of just a few boxes that are rearranged for each new setting, the cast travel on trains, dance in clubs, and walk the busy city streets in this highly physical piece of theatre. In one effective scene, an act of violence becomes strangely beautiful as it unfolds in exquisite slow motion. Each of the four-strong ensemble performs these moves with precision, energy and perfect timing to bring their characters and the world around them to life.

LOOP has a little bit of everything; it’s funny and heartwarming yet not without moments of poignancy, and nostalgic but also very current – and by combining storytelling with movement and music, directors Alexander Knott and Zöe Grain have given the company an opportunity to demonstrate their broad range of talents. This is an exciting debut from BoxLess Theatre, and definitely worth a visit for music lovers of any generation.


Can’t see the map on iPhone? Try turning your phone to landscape and that should sort it. I don’t know why but I’m working on it… 😉

Interview: BoxLess Theatre, LOOP

Opening next month at Theatre N16, LOOP is the debut production from BoxLess Theatre. The show charts three generations of one family, from 1965 to the present day, and explores how they evolve, change and fall in love along with the music that they listen to.

Resident Writer Alexander Knott and Artistic Director Zoë Grain collaborated on the creation of LOOP, combining words and moves with music from the 60s, 80s and present day. “The show was inspired by Zöe, who knew she wanted to do a piece that was intrinsically about music, and how it can be the soundtrack to our lives,” explains Alexander. “That, and the image of a Walkman and a set of 80s headphones. From there we brainstormed the characters and arrived at different ways of how they could be related. It was quite late on in the writing that it was apparent that they were all one family – for a while, it was just a series of unconnected vignettes, but now it’s more of a sequential story.”

“The project was jumpstarted when Second Sons Theatre asked us to devise a ten minute piece for their ‘Play Time’ festival of new writing, last September,” continues Zoë. “Alexander worked up some draft monologues and we devised a short scene, that gave the essence of the play. Half a year down the line, the rest of the play is written and that extract now comes in the middle of the story. Actors Aaron Price and Rubie Ozanne are reprising their roles as ‘The Boy’ and ‘The Girl’, with Emily Thornton and James Demaine completing the cast.”

Choreographer Zoë set up BoxLess Theatre last year, after graduating from Italia Conti. “My aim has always been to make physical theatre something accessible to people of different disciplines and experience, not just for classically trained dancers,” she explains. “The training at Italia Conti Acting, where the cast and creative team met, has always shown movement as a way of expressing the story of a play in a very immediate way, and BoxLess is taking this a step further with a piece that combines physical theatre and new writing. Dance for everyone, essentially, and not just for the few.”

After months in development, the show finally opens on 6th June at Balham’s Theatre N16. “We’re all feeling excited, with a definite hint of butterflies, and there’s still plenty to do,” says Alexander. “But N16 is a great space – intimate, yet versatile, and with a lot of atmosphere. The preview of the show was performed there, so we feel like we know how to move in that space. Rehearsals have a great, collaborative energy to them, with everyone bringing ideas to the table. There’s always going to be that ‘going out on a limb’ nervousness when creating a new piece of theatre, but the show is taking shape, and we’re starting to see it come to life.”

LOOP offers a great opportunity to enjoy a bit of musical nostalgia, but there’s a lot more to the show than a simple trip down memory lane. “We’d like audiences to go away with that feeling of having seen a satisfying story. Seeing the characters grow and change – after all, the story covers the best part of 60 years – and how something that happens to one of them in 1965 might influence choices made in the present, should be really engaging. We want the movement to be as slick and expressive as it can be – there’s something intensely satisfying in well-executed physical theatre. Also, perhaps, leaving the theatre with a sense of hopefulness; the play is, we think, about hope, about looking forward and letting go of the past.”

Book now for LOOP at Theatre N16 from 6th-10th June.