Review: White Christmas at Dominion Theatre

Like it or not, the festive season is well and truly upon us – and nowhere more so than at the Dominion Theatre, home until the new year to the West End transfer of White Christmas, following its critically acclaimed run last year at Leicester Curve. A glitzy, joyous and unashamedly cheesy spectacle with a stellar cast, this revival of Irving Berlin’s festive musical will undoubtedly send even the most determined of Scrooges away feeling at least a little bit Christmassy.

Photo credit: Johan Persson

Which is funny, really, since most of the show doesn’t have much to do with the holiday season, and for most of the evening it’s easy to forget we’re watching a Christmas show at all. Set in 1954, the plot follows soldiers turned Broadway stars Bob Wallace (Danny Mac) and Phil Davis (Dan Burton), as they team up with singing sisters Betty (Danielle Hope) and Judy Haynes (Clare Halse) to put on a spectacular new show. Their goal is to save a struggling Vermont inn, owned by their much-respected former general Henry Waverly (Michael Brandon) and managed by no-nonsense concierge Martha Watson (Brenda Edwards). Along the way, naturally, there are misunderstandings and miscommunications – but eventually everything sorts itself out, everyone falls in love, and it starts snowing just in time for their Christmas celebrations.

The production, directed by Nikolai Foster and choreographed by Stephen Mear, is undeniably brilliant. Highly polished and visually stunning, it showcases the talent and charisma of an exceptional cast. Leading men Danny Mac and Dan Burton are an effortlessly charming duo, and Danielle Hope and Clare Halse prove more than a match for them as the glamorous and accomplished Haynes sisters. The choreography and design are exquisite, and there are moments in the show – particularly during the lavish dance numbers, and any time the magnificent Brenda Edwards is on stage – that genuinely take your breath away.

While everything about the production is of the highest quality, the same can’t necessarily be said of the show itself, which sometimes struggles under the burden of a weak and dated storyline, and songs that are – with one or two obvious exceptions – not particularly memorable or relevant to what’s going on. (Which is not to say they’re not catchy; there’s a song about snow in Act 1 whose lyrics make no sense at all, but it’s still incredibly hard to sit still through it.)

Photo credit: Johan Persson

Still, it’s difficult to be too bothered by any of this because, well, it’s Christmas… Maybe it’s not perfect, and it certainly takes a while to get warmed up – but sometimes a bit of feel-good festive escapism is all you need, and on that front the show delivers in style. Before long the stage is overflowing with so much joy, romance and goodwill to all that ultimately, much like the snow song, this White Christmas proves impossible to resist.

White Christmas is at the Dominion Theatre until 4th January.

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