Anna Karenina, Macbeth, Othello, Three Sisters, Frankenstein, The White Rose, Taro… Over the last five years, Arrows & Traps have proved time and again that they know how to do serious drama (and also that there are an awful lot of different ways to die). That label cannot be applied in any conceivable way to their new play One Giant Leap, which is a very silly story with no other mission in mind but providing two hours of pure entertainment.
It’s 1969, and Apollo 11 is all set to launch for the Moon. But it’s too hot up there to film Neil Armstrong and Buzz Aldrin’s one small step for man, so CIA Agent Harris (Alex Stevens) has come to cash-strapped TV producer Edward Price (Christopher Tester) with a request: he needs him to fake the Moon Landing. There’s just one problem – Price’s cast and crew of misfits are too wrapped up in their own issues to focus on the job at hand, and time is ticking away…
Writer and director Ross McGregor has thrown literally everything at this historical sci-fi romantic comedy (there’s no kitchen sink but there is an alluring stepladder) and the result is an often chaotic but always enjoyable romp that culminates in a musical number I don’t think any of us will be forgetting any time soon. The characters are stereotypes – the arrogant leading man, the scantily clad actress, the frustrated producer – and the plot relatively predictable, but there’s enough detail to ensure none of them are ever lacking in substance. At times, this detail actually works against the production; with every character getting their own story, there’s a lot to try and keep track of at any given moment. This also means that the play’s conclusion, particularly following the unbridled hilarity of the Moon Landing sequence, feels a bit like a box ticking exercise to ensure we’re not left with any unfinished plot threads.
That said, one of the best things about One Giant Leap is that the cast are clearly having an absolute blast. It’s hard to tell who’s having more fun up there: Will Pinchin as Howard, the world’s clumsiest cameraman; Lucy Ioannou as sweet but insecure Alchamy; Steven Jeram as casanova Daniel; Vivian Belosky as sharp-tongued and quite possibly permanently green Linda. Alex Stevens’ CIA Agent Harris showcases some impressive accent switching (and interesting wardrobe choices), and Christopher Tester and Charlie Ryall engage in excellent verbal sparring as increasingly desperate ex-spouses Edward and Carol. And Daniel Ghezzi, appropriately enough, steals every scene he’s in as frustrated actor and lover of all things jazz hands, Perry.
As Arrows & Traps arrives at a crossroads before embarking on a new chapter with The Strange Case of Jekyll & Hyde later this year, One Giant Leap feels like the company is taking a welcome opportunity to pause and let off some steam. It’s not Shakespeare, and it doesn’t have the beauty and eloquence of, say, The White Rose or Taro – though it is still visually quite a feast, with an incredible set designed by Justin Williams and some unforgettable costumes from Delyth Evans. I didn’t always know exactly what was going on but I had fun trying to figure it out, and sometimes that’s all you need. So why not boldly go and get a ticket for two hours of silliness and escapism, and – for once! – a happy ending.
One Giant Leap is at the Brockley Jack Studio Theatre until 27th July.