Review: No Show at Soho Theatre

Ellie Dubois’ No Show is a circus performance with a difference. It features five talented female circus professionals – Francesca Hyde, Kate McWilliam, Michelle Ross, Alice Gilmartin and Camille Toyer – each of whom makes us gasp in awe and disbelief as she demonstrates her “best trick”.

Photo credit: Chris Reynolds

So far, so standard. But this is not your usual seamless programme of death-defying stunts from a band of superhumans. These women are amazing acrobats – but they also get out of breath, fall over, argue and compete amongst themselves. They do tricks traditionally performed by men, in defiance of the expectation that because they’re girls they have to do only the dainty stuff. And they talk to the audience, explaining the huge physical risks they run each time they perform, and the difficulties they must contend with as women in a male-dominated world.

Most importantly, they look like they’re enjoying themselves; the first group routine might resemble the opening to a traditional circus show if not for the performers’ whoops of excitement as they throw themselves around the stage. They also chat amongst themselves as well as to the audience, giving the show a nicely improvised feel – at times it’s impossible to tell what’s planned and what’s made up on the spot.

But it’s not all good times and giggles. This show has a point to make, and for all our enjoyment, there are also parts of the performance that are deeply uncomfortable. One running joke involves Alice Gilmartin being interrupted each time she tries to address the audience, and bullied into performing increasingly dangerous handstands for our entertainment. Later in the show, Michelle Ross demonstrates her high trapeze routine on the floor because the venue’s too small for her to do it for real, and no larger theatres would have them. At one point all five pose in a series of graceful positions, their bored expressions revealing exactly how they feel about it. And unlike in most traditional circus performances where the action is non-stop and the audience barely acknowledged, there are periods where the acrobats simply sit and watch us just as intently as we’re watching them.

Photo credit: Chris Reynolds

The message is clear: life as a professional circus performer is far from as glamorous as we’re often led to believe. It’s hard and painful; there’s relentless pressure to always do better and give the audience more; and for women, there’s the additional obstacle of the gender stereotypes that would restrict them to a limited range of specialisms. No Show strips away the distance that traditionally exists between acrobats and audience – these may be highly trained professionals, but they’re also very down-to-earth, likeable women who are doing what they love on their own terms. The result is a thrilling, surprising and challenging hour’s entertainment.

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