Interview: Charlotte Fox, Ouroboros

Ever felt like you’re not quite good enough? You’re not alone. In her debut solo show Ouroboros (named after an ancient symbol that depicts a snake eating its own tail, in an eternal cycle of renewal), writer and performer Charlotte Fox tackles society’s obsession with ego, superficiality, social media, narcissism and body image, and explores their effects on Charlotte, an actress in the entertainment industry.

“I was inspired to write Ouroboros by frustration with the lack of acting work,” explains Charlotte. “I was writing in response to what was happening around me, in my life and career experience. I struggled to reconcile with other people’s conflicting viewpoints. It felt like a constant battle, struggling against myself and having to obey an industry and society’s vision of ‘beauty’ and ‘perfection’ in order to fit in and seek acceptance.”

Charlotte Fox, Ouroboros

Following a run earlier this year at the Rosemary Branch, Charlotte is preparing to take the show to Edinburgh next month, where she hopes audiences will embrace its message and get involved. “It’s an explosive display on stage,” she says. “Ouroboros is like fireworks – a show that doesn’t come down, with highly physical and absurdist comedy elements, that discusses relevant and timely issues without being didactic. It has the ability to mix observational scenarios and parody them in a way that makes you laugh and cry before sending you away. It also combines music, dance, clowning, physical theatre, bouffon and a bit of mime!! One genre!? Naahh – chose ’em all!

“I’m looking forward to performing to a different audience everyday in Edinburgh. They all bring something different. You can sense it as soon as you step out. What one person might find disturbing can have another howling with laughter. It’s brilliant! I like sensing that, there’s interaction in this show and it’s fun as an actor discovering how you can play to the audience. Or how they are playing for you. I hope they’ll feel excited and moved by the whole experience, and have a willingness to re-examine their own lifestyle experiences, recall moments of similarity and most importantly laugh and perhaps squirm on the edge of their seats!”

The show, which is written, performed and directed by Charlotte, has been in development for the past year. “It’s been an incredible journey,” she says. “I wasn’t really too sure what to expect at the start – it was difficult, but I knew I was tapping into something important, I had an urge to keep exploring. I always knew the style of work I liked and had a vision of what I wanted to create. So collaborations with other like-minded theatre makers were made and Ouroboros started to flourish. I had a revelation when I realised not everyone will share your artistic vision. You have to be so strong and protect yourself against people who can try and contaminate your work… It was a big lesson for me.”

Performing the 60-minute solo show, in which Charlotte portrays “a conveyer belt of hyper-functional characters”, brings with it a number of physical and emotional challenges. “It’s a huge physical demand as a performer,” she says. “It’s also very close to the bone, which brings both a challenge and reward. I know that this show has left an impact on people in a similar situation. It’s sparked discussion. It’s also allowed me to find self-acceptance as an actor, allowing my own creativity and artistry to flourish regardless of what anyone says. You can decide to say yes to yourself.”

Catch the final London preview of Ouroboros at Camden People’s Theatre on 25th July, or at Edinburgh’s Cowgate, 2nd-14th August at 1.10pm.

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