Interview: Jennifer Davis, Adam and Eve

Following its critically acclaimed debut last year at the Brockley Jack, Broken Silence Theatre’s Adam and Eve returns next week for a longer run at Islington’s Hope Theatre, now with new director Jennifer Davis at the helm.

Adam and Eve is about a young couple who have moved to the country in search of a better life,” explains Jennifer, who takes over from the show’s previous director Paul Macauley. “Everything’s going pretty perfectly until one day Adam is sent home from school following accusations made by a student… It’s a story about truth, lies, temptation and sin.”

Tim Cook’s play was a five-star hit last year, with reviewers describing it as “utterly phenomenal” and “absolutely chilling”. Unsurprisingly, Jennifer is pretty excited to be involved in its revival. “The writing is exceptional. In just 60 minutes Tim has managed to create a gripping, relatable experience that will leave an audience really questioning which version of the truth they believe. I’ve wanted to work with Broken Silence since seeing their production of Crushed at the King’s Head Theatre in 2015; I really admire their commitment to supporting regional writers and new work.”

Some might be daunted by the prospect of taking over such a critically acclaimed play, but Jennifer is looking forward to putting her own stamp on the show and exploring the opportunities that come with a new cast and venue: “I was honoured to be asked, and fingers crossed I create something that will do the previous production justice. We have two new wonderful cast members in Lee Knight and Melissa Parker – not forgetting the brilliant Jeannie Dickinson who was in the original run. There’ll also be a new set design and perhaps a few surprises…

“I’m excited about exploring the Hope’s space, too. It’s such an intimate venue and I can’t wait to see how the play develops when the audience are quite literally eyeball to eyeball with the actors.”

Jennifer studied Drama and Theatre Arts at the University of Birmingham, graduating in 2013. “Originally I wanted to be an actor but at university quite quickly realised that wasn’t for me,” she explains. “I’ve been freelancing as a director for five years now and have really found my happy place – working with new writing!”

Those five years have kept her busy; she’s now a Junior Associate at the King’s Head Theatre and an Associate Artist with Theatre Absolute, and she also founded Shoot Festival, which supports emerging artists in Coventry and Warwickshire. “I’ve been very lucky to work on some incredible projects, so highlights are hard to choose! But if I had to… I’d probably say directing (sorry) by Susie Sillett at the Birmingham Repertory Theatre. It’s a one woman show that explores what it’s like to grow up as a millennial and the pressures we face in today’s current economic, social and cultural climate.”

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