The first time I went to Chickenshed was just over a month ago, to see a cast of hundreds in their Christmas show, Rapunzel. My second visit, in dramatic contrast, was an altogether quieter affair: Monolog, as the name suggests, is an evening of solo performances in the intimate Chickenshed studio. Artistic Director Lou Stein has put together a programme that simultaneously celebrates two of the nation’s favourite writers – Alan Bennett and Diane Samuels – and showcases original work from new voices within the Chickenshed community.

In a twist to the format, every audience will see a slightly different show; there are six new plays altogether, but only two will be performed on any given evening. In addition, the second monologue of the night, Diane Samuels’ This Is Me, will be performed on alternate days by 15-year-old Lucy-Mae Beacock and the “somewhat older” Belinda McGuirk (I’m not being rude, that’s what it says in the programme) – who also performs the first piece, Alan Bennett’s Her Big Chance. Got all that?

Our particular programme began with Belinda McGuirk as Lesley in Alan Bennett’s Her Big Chance. She’s a likeable but naive actress who thinks she’s got her big break in a movie, but can’t see how she’s being manipulated into doing everything she always swore she’d never do. This is a well-timed revival of Bennett’s brilliantly written monologue – originally performed by Julie Walters for TV’s Talking Heads – which shines a light on the treatment of women in the showbiz industry, while also addressing the question (one we’re all getting far too used to hearing these days) of why any self-respecting woman would possibly choose to go along with such behaviour.

The evening continued with Lucy-Mae Beacock in Diane Samuels’ This Is Me. Less a play, more a series of snapshots, the piece is made up of snippets from Samuels’ unpublished autobiography. But – once again – there’s a twist; each memory is written on a piece of cloth and handed out to the audience, thus giving us the power to decide which stories we hear and in what order. Far from appearing daunted by the prospect of a constantly changing script, however, teenager Lucy-Mae Beacock gives an impressively assured and engaging performance. She never once hesitates or stumbles, and brings a youthful innocence to the words and memories of a woman more than three times her age.

Of the six pieces of new writing commissioned, we were treated first to Last Piece of the Sun, created by Alesha Bhakoo, Dave Carey and Milly Rolle. A deceptively light-hearted opening leads us quickly into rather more serious territory, as a young woman in her 20s reflects on the life-changing consequences of a one night stand. The short piece is beautifully performed by Alesha Bhakoo, and packs quite the emotional punch just when we least expect it.

The final piece of this particular evening was the intriguing I Find Love in a Bin, written by Peter Dowse and directed by Tiia Mäkinen. The short piece features Sarah Connolly as a woman who has, quite literally, just found love in a bin at Waterloo Station. The discovery both delights and troubles her, and sparks a flurry of questions and emotions; she has no idea whose love it is, and knows only that it doesn’t belong to her – however much she might want it to.

Both of these new pieces will be performed again – though not necessarily together – as the run continues. The only downside of the mix and match format is that we don’t get to see all six, although hopefully there’ll be further opportunities in the future to see the ones we missed: Dinner With My Dead Dad, Sands of Time, The Creature in the Dark and Walls Like Paper.

Where Rapunzel was big, loud and colourful, Monolog proves that a good story well told by a single voice can have just as big an impact as a stage full of people. More than that, though, the show is an exciting opportunity to see the talent being nurtured within the Chickenshed community. A thoroughly entertaining – and unique – evening.