The inaugural Voices From Home event from Brighton-based Broken Silence Theatre brought together writers from the Home Counties and beyond to showcase new work from outside the capital. Four thought-provoking short plays all started from the theme of “trust” before heading off in a variety of directions to bring us an evening populated by outspoken refugees, dodgy psychics, estranged sisters and reluctant lovers.
The latter feature in Love Me Tinder, written by James McDermott from Norfolk and directed by Roman Berry. Emma Zadow and Mauricia Lewis prove that opposites do (eventually) attract, as spiky Tina and sweet-natured Ellie cautiously embark on a Tinder-based romance beset by false starts and misunderstandings. It’s a funny and very relatable piece about the many ways we self-sabotage whilst dating out of fear of getting hurt, but it also explores the unexpected and touching ways in which new love can change us for the better.
There’s a similar blend of laugh out loud humour and human vulnerability in Danielle Pearson’s The History Club, set in the writer’s home county of Berkshire, which examines how grief can make us do extraordinary things. In this case, three women engage the services of a less than convincing psychic to put them in touch with their lost loved ones. Directed by Jennifer Davis, the play sees Vicky Winning clearly enjoying herself as Florence, with moving performances from Anne Rosenfeld, Helen Belbin, and particularly Dominique Moutia as a teenager struggling to come to terms with the death of a schoolfriend.
The heartbreaking Trust, written by Sussex-based Ella Dorman-Gajic and directed by Raymond Waring, shows us the awkward reunion of two sisters, played by Alex Reynolds and Abbi Douetil. From a close childhood relationship, marked by a shared love of S Club 7 and a wall chart plotting their heights over the years, Sarah and Lotty become increasingly estranged as their gran’s health deteriorates. It becomes obvious that she effectively raised them in their mum’s frequent absence, and the play ends on a hesitatingly uplifting note as the two attempt to build bridges and come to terms with their loss.
Each Voices From Home event will also feature a Headline Playwright; the first of these is Sevan K. Greene, whose play Asylum – directed by Tim Cook – opened the evening with an alternative and eye-opening view on the first world response to refugees. Lynn (Rosalind Adler) has got an empty house and a kind heart, but never really expected to be taken up on her offer of taking in a Syrian refugee – and when Mohammed (James Hameed) is sprung on her by his caseworker Mike (Matt Kyle), he’s not quite as gushingly grateful as she’d expected. As with all the other plays, Asylum offers lots of laughs, but they grow increasingly uncomfortable as the piece goes on, and we’re forced to examine our own motives, assumptions and reactions to those less fortunate than ourselves.
With so much theatre going on in London every day, it’s easy to forget that there’s plenty to enjoy elsewhere too. Voices From Home co-producers Tim Cook and Katharina Rodda have assembled a strong line-up for their first showcase, bringing a little piece of the Home Counties into the capital and proving to any sceptics out there that good theatre can and does exist outside the M25. Here’s hoping we don’t have too long to wait for the next evening; I’m looking forward to seeing what my home county of Kent has to offer…
For more details about Voices From Home and Broken Silence Theatre, visit brokensilencetheatre.com.
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