Review: The Importance of Being Earnest at the Bridewell Theatre

After a long and stressful day, the Tower Theatre Company’s production of The Importance of Being Earnest was just what the doctor ordered. This absurd little story never fails to tickle me, and makes me curiously proud to be British – especially when done as well as it is here.

The story is probably familiar to most: Jack loves Gwendolen, who seems to return his affection – but only because she thinks his name is Ernest. Meanwhile Gwendolen’s cousin Algernon is setting out to seduce Jack’s ward Cecily – by pretending to be his younger brother, Ernest. Inevitably, the four lovers end up in the same place, pursued by Gwendolen’s mother Lady Bracknell… and chaos, confusion and a good deal of coincidence ensue.

Photo credit: Ruth Anthony
Photo credit: Ruth Anthony

It’s a play that demands to be hammed up, and everything about director Martin Mulgrew’s production is wildly over the top, while remaining perfectly polished. It also boasts a cast who know exactly how to extract maximum laughs from Oscar Wilde’s witty script: Bernard Brennan’s Jack is endearingly awkward, particularly when faced with Helen McGill’s Gwendolen, who’s definitely not backward in coming forward. (The same, incidentally, could be said for Karen Walker’s Miss Prism, who doesn’t try to hide her admiration for local vicar Dr Chasuble, played by Ian Recordon.) Imogen de Ste Croix’s Cecily is pure sweetness with just a hint of steely-eyed bunny boiler; her matter-of-fact account of how she engaged herself to the fictional Ernest three months before meeting him is a highlight. And Murray Deans almost steals the show with his thoroughly eccentric Algernon, whose sudden bursts of silent manic laughter are not so much charming as ever so slightly alarming.

I say he almost steals the show, because – as in pretty much any production of The Importance of Being Earnest – the stage really belongs to the formidable Lady Bracknell, played to perfection here by Helen McCormack. Lady Bracknell gets all the best lines, and McCormack delivers them with relish and expert timing, not to mention a suitably scandalised expression at the prospect of marrying off her daughter to a man who began life in a handbag.

Photo credit: Ruth Anthony
Photo credit: Ruth Anthony

The play has three distinct acts, and Jude Chalk and Bernard Brennan’s set is simple yet effective, adapting with minimal fuss behind a curtain at each of the two short intervals. Costume designer Haidee Elise has also pulled out all the stops to produce some stunning outfits, and not just for the ladies – Algy’s pinstripe blazer is quite a sight to behold.

After their week’s run in London, the Tower Theatre are taking the production to the USA. One can only imagine what Americans make of Wilde’s play, which paints an interesting picture of British high society – although having said that, I quite like the idea that they picture us Brits sitting around eating muffins in moments of crisis. If our friends overseas enjoy the evening half as much as I did, though, they’re in for a good time. Another high quality production from the Tower Theatre, The Importance of Being Earnest is hugely entertaining and quite, quite mad – just as I’m sure its writer intended.

The Importance of Being Earnest is at the Bridewell Theatre until 4th March.

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